I have been admiring as of late the work of American painter, John White Alexander. Alexander lived from 1856-1915. He began his artistic career as a political cartoonist and illustrator for
Harper's Weekly in New York, but soon made his way to Paris for his formal art training, then Munich, and finally Italy, where he hung out with his good friend and fellow painter, Whistler.
After all that, he returned to New York and back to
Harper's, but he also became a highly successful and sought-after portrait painter. By 1893 his reputation soared in both Europe and America. He became very involved in the promotion of arts in America and was commissioned for many prestigious murals.
Of the stages of his work I love his most his portraits. These were more in his later years, and often were more of a psychological study than a specific likeness (an example of this is
The Ring, 1911). I love that he favoured single figures against contrasting background, and the muted-but-alive tones and colour choices (like my favourite, green). I must say the first thing that struck me with his female portraits is the full sweeping folds of their gowns... they look so crisp and cool, like ships sails.
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| Black and Red, 1896 |
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| Althea |
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| A King's Daughter |
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| The Green Dress |
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| An Idle Moment |
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| Young Woman Arranging her Hair |
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| A Ray of Sunlight, 1898 |
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| The Green Bow |
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| Portrait of Grace Goodyear Depew |
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| Isabella and the Pot of Basil |
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| The Ring |
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| June, 1911 |
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| Portrait of Mrs. Herman Duryea |
